Ithaca, NY: Cornell University Press, 1984.
First Edition. Hardcover. Fine in a fine dust jacket. 267 pp, with bibliography, index. Fine copy in fine jacket. From the dust jacket: "This book explores the intellectual origins of contemporary art history. Placing Panofsky's theoretical work first in the context of the major historical paradigms generated by Hegel, Burckhardt, and Dilthey, Holly shows how these paradigms themselves became the grounds for creative controversy among Panofsky's predecessors in art history."